Brave Company sees our main character, a teenage naval recruit, travelling aboard a New Zealand naval vessel towards an increasingly hostile Korean War in 1952. Amongst his baggage is the intangible need to prove his worth. Worth that is both bolstered and challenged by a family tradition of bravery in the armed services.

Russel, the main character, lives with his mother, and the memory of an uncle who was a decorated war hero. Or was he? Did he die with honour? Or was he a coward? Russel finds evidence to convince him of the latter, so he joins the forces in part to reinstate the honour his uncle has destroyed. Russel is a young man with a point to prove.

Russel finds himself in foreign territory that he knows little about. He knows the enemy are communist and that the world needs to be saved from their power so he is willing to fight for freedom. Mostly, the role of this NZ navy ship is a support one, and little active fighting is encountered.  Which is a good thing, as Russel realises quickly how inexperienced and ill-prepared he really is.

When Russel finds himself in the midst of active warfare, he quickly learns the truth – the truth about his uncle, the enemy and himself.

Drawing on the “not everything is really as it appears” approach, David Hill has written a pacey story with action and adventure. Along the way, the readers will become attached to the characters, especially Russel, and his story will feel authentic and real. Readers can’t help but wonder why Russel and his NZ naval crew were even in this war, and about the fine line between cowardice and bravery, and between right and wrong.

Published by Penguin NZ
ISBN 9780143307570


This review was first published on the booksellers.co.nz blog

I was drawn to the bright cover of this book, but immediately fearful that it might be a dark teenage read about suicide. It most definitely is not the latter, and I should say at the outset that I loved it. I loved the story, I loved the characters and I loved that it made me cry.

The book’s main character is 17 year old Tara, an ordinary young woman with extraordinary artistic ability. Her family background is bleak – there is not just financial poverty but a poverty of spirit, which is not quite explained until near the end of the book. Tara’s mother is emotionally hard, brutal to her daughters, and pretty unlikeable. Her father is bed-ridden by a stroke. Tara and her mother are the main bread-winners and care-givers. Northern Irish immigrants they are making the most of their lot, but sadly leaving the emotional needs of their two daughters unmet.

One of these daughters has already removed herself from this world, and Tara with a robust fascination with Vincent van Gogh finds herself unravelling both van Gogh’s tragic life, and her sister’s short life (conveniently named Van) at the same time.

This book has a theme of death running through it – both self-inflicted and natural – but it never becomes burdensome or heavy to the reader, although it does for Tara who does tackle it head-on.

Tara and her family are utterly believable, and the story that unfolds helps to explain why Tara’s family are paralysed by their own lives. Tara however is a survivor, and she finds support where she needs it, and crucially when she needs it the most.

This is a powerful and emotional story, with characters that felt real, and a resolution that was satisfying and believable, and just unanticipated enough to be a surprise.

Published by Random House
ISBN 9781775533276 (paperback)
ISBN 9781775533283 (e-book)

This review was first published on the booksellers.co.nz blog

It takes quite a lot of trust and faith in your reader to mix a thoroughly ancient legend, in this case about mythical selkies, with a modern of coming of age story. Half of the main characters in this book by Rachael King are in fact seals; seals that, in keeping with Scottish legend, turn into beautiful young women when they cast their skins aside to walk on land. The mythical selkies. The other characters are one half of a modern day separated family trying to get on with life as best they can. It also takes a good storyteller to pull it off.

Surprisingly perhaps, I found myself suspending disbelief; and I became entranced by this book and its characters. And it happened so subtly that I didn’t even notice. The main character Jake is a little lost – his parents are divorced, his mother remarried with a new baby. He visits his father who is living a nomadic writer’s existence on the Wellington coast. But the school holidays are never much fun without friends, so the adventurous Jake takes off to explore the rocks of the Wellington coastline. He makes friends with another equally lonely young girl and an old man and attracts the interest of some local bullies. But it is when he finds an abandoned seal skin which he hauls home that the trouble really begins. The taking of the skin is the key turning point in this book as it unravels the story and importantly prevents its rightful owner from going to back to the sea.

Hindsight is a great thing. And of course, I can tell you now that I knew all along which characters were human and which were seals, but what’s clever is the way this realisation subtly unfolds. There is not a moment of mass revelation, you just suddenly begin to understand who the characters are and how they inter-relate and it feels natural. I guess that’s why it easy to believe in all of the characters in this book; they just work.

Interestingly, I just handed the book to my eleven year old saying it was great and I think you will like it. He read the back (which mentions seal skins but nothing about selkies) and he asked “What’s up with selkies? This is the third book this year that’s had slekies in it.”

Really? I had no idea. Apparently, his teacher has been reading these books to them in class.

“What time period have they been set in?” I asked.
“Ancient of course” was his reply. “And all in Scotland.”
“What about one set in Wellington in modern times. Could that work?”
“Hmm, maybe.”

But there is no maybe about it. This book works and it’s a gripping page-turning tale.

The book should appeal to any reader (young or old) who is able to suspend reality briefly, but after all isn’t that what reading is all about?

Published by Random House
ISBN 9781869799144 (paperback)
ISBN 9781869799151 (e-book)


This review was first published on the booksellers.co.nz blog

It’s always interesting when you read a book about a well-known event and an entirely different perspective is presented that makes you pause and think. As the cover of this book suggests, it is set in World War II and the narrator is Adam, a 12 year-old Polish boy whose family are uprooted and relocated to various labour camps in Russia.

Reminiscent of The Boy in the Striped Pyjamas, the main character, an adventurous boy named Adam, has no idea what is actually happening to him; the political background remains unspoken. Of course, as readers in 2012 we know the unspeakable terrors of World War II are not far away.

I really like the authentic voice that this character has – he is undeniably his age, and he never quite comes to grip with why the events that unfold in this book (and his life) actually happen. It’s easy to believe in this young character, who is in fact the author’s father.

Melinda Szymanik has skilfully managed to recreate her father’s young persona and avoids any temptation to preach, inform, or explain this war. Adam never becomes bitter and jaded, he still notices the small wonders of life and is resolute in his will to survive.

The book opens with the family’s idyllic life on a farm awarded to Adam’s father for military service. They are hard working, and enjoy a comfortable and fruitful, if not wealthy, life. But the new authorities have decided the farm should be re-gifted to another man and rather suddenly, the family are ousted from their farm and find themselves heading to places unknown. Their imposed long train journey starts in a cattle wagon and finishes in what appears to be a concentration camp albeit without the gas chambers. Disease, death and hunger accompany this family through their enforced journeys through a vast area we would know as Russia and Persia.

Weeks, months and years pass. The end, when it comes, is thrust upon Adam’s family as suddenly as that first train trip was thrust upon them. This plight of displaced persons during World War II makes a sobering read, but this is a tale of survival and although Adam’s family is changed beyond recognition through their experience, there is a happily ever after.

Published by Scholastic
ISBN 9781775430308


This review was first published on the booksellers.co.nz blog

Remember the 1980s when there was a rash of family sagas spanning generations in a single volume? The books were bricks and the TV series went on for weeks. For me, a lover of historical fiction, this was a great time in TV history that this century’s reality TV simply does not even come close to.

What I loved about those multi-generational family sagas was the passing on of traits, secrets and folklore, and the longer term implications of behaviours. The contemporary family are clearly linked to their ancestry through the story. Of course, we are all linked in this way, but for the most part I suspect we ignore this expect for a few family occasions each year – Christmas, funerals, octagenarian’s birthdays. And, even then, the stories are often limited to two generations.

Tanya Moir has taken the generational family saga and modernised it. Her approach to writing, which is really unique, was a little difficult for me as a reader to comfortably fit into at first, but soon the book enveloped me and I became as attached to the ancestors of Janine (the narrator of this story) herself. And I grew to appreciate Moir’s mastery of her craft.

Janine and her mother have turned researching their family into a lifetime mission. They traverse the globe (from Invercargill to London) to search the archives (white gloves in situ) and visit the substantial homes of their ancestors – they find a fortune made from hard work, and acquired through wily acts; and personal characteristics and flaws that they can tangibly recognise. What consumes both mother and daughter is an apparently genetic neurological disease. And, a good dose of madness.

Janine interweaves her ancestors into her own story, which is one of escape and isolation. She lives on an island (in Auckland) that is surrounded by a tidal waters and mangroves. Hence the eye-catching underwater photograph of mangroves on cover of the book. But the mangroves are sort of a metaphor (for me at least) of how this story unfolds – mangroves are hardy plants growing in the tidal estuaries; their branches are far reaching and convoluted; new roots and branches keeping popping up all over the place; and the plant (not unlike this family) has to survive the ever-changing tides.

It’s obvious really when you think about it, although I guess I had not before now, that when anyone researches their ancestry, a certain dose of fiction comes into play. Deeds, documents and photographs only provide the skeleton of the story. The rest needs to be filled in. And how well this is filled in determines just how interesting ones’s ancestry is. I guess this is the difference between a researcher and storyteller. And Janine (or perhaps more correctly Tanya) is a great story teller. Her story is peppered with scandal, love, sadness, despair and it all remains believable. This could be your family or mine, but it is definitely Janines’s story and she is very lucky to have Tanya Moir tell it for her. Very lucky indeed.

Is it obvious that I loved this book? I hope so.

Published by Vintage New Zealand
ISBN  9781775532019 

This review was first published on the booksellers.co.nz blog

Reading this book some time after its release and well after the first reviews, I feel privileged to not be influenced by other comments. I have few expectations. Seeing comments like ‘sad, pointless lives’ and ‘nothing happens’ made me wonder, did they really read THIS book? Of course others (more like me it seems) said it was ‘exquisite, carefully crafted and entrancing’. And it was all of that and more.

The Forrests are an almost normal family that move their family halfway across the world from an affluent New York lifestyle to what ends up being a challenging lifestyle in New Zealand. Emily Perkins is a master of observation and detail. The snippets of the family’s life that are revealed are believable and delicious. My book is dog-eared from all of the times I read a sentence that I wanted to treasure. For example, when describing the first view of the decrepit house where their estranged father was living,
‘The no-colour paint on the windowsills and door frame was crackled…‘
and, ‘Evelyn unpeeled her sandwich and tweezed out the alfalfa sprouts with her fingertips and dropped them into the sea.‘
and, when making a cake,
‘In the bowl they created a separated viscous swirl with the creamed-butter mixture, the yolk trailing through the pale butter, the transparent whites floating jellyfishy around the surface.‘

Emily Perkins is observant beyond belief, and her descriptions based on these observations, are absorbing. Utterly so. I loved this book that led me through this family’s seemingly ordinary life in a subtle and engrossing way. The reader is drawn into family and invited to fill in the blank between the episodic narrative.  This family is neither boring, nor ordinary, but it could be yours or mine. The ending is sad, but so is the ending of most lives. Dot, the mainly main character leaves these pages in a slightly confused way, but I suspect that, too, is the way in which many lives come to the final end.

Published by Bloomsbury
ISBN 9781408831496


This review was first published on the booksellers.co.nz blog

I love the idea of a historical fiction novel that is based on real characters. For me, there’s a sense of immediacy when you open the book, or perhaps it’s simply that the hurdle of believability is removed before you start. But, this type of fiction only works if you have strong characters and a great storyline.This book has both – a young kiwi WWII airman shot down over France and the brave family who help him escape the Germans.

When reading these details on the back cover of the book and then learning that the author is the airman’s daughter, my expectations were running high. And I was not disappointed.

This is a real story that chronicles the everyday lives of a farming family in German-occupied France. It’s 1942 when the wounded airman’s plane crashes into rural farmland and a French-family decide to help him get back to England. This is no easy task, and requires significant risk-taking, lies and surreptitious behaviour.

The book tackles the complex family and village relationships as each individual copes with the German-occupation in their own way. German soldiers have an overbearing presence, seemingly always appearing at the farmhouse unannounced and stopping everyone in the streets to examine their identities. You certainly are left with a strong picture of how the German army embedded themselves into everyday French life.

The book is honest and reflective, with a couple of unexpected and satisfying twists at the end; survival is never assumed and certain events remind us of that. Individuals’ actions and cooperation with the Germans are risky, but each villager makes their choices about who and how to support the warring sides.

I read the book in single sitting. Emotional at the close, I reflected how I might have reacted given the intolerable situation these people found themselves in and thankful I have never faced such personal tests. Almost any child over the age of 10 could read and enjoy this book, but older readers will appreciate the deeper social context as well.

Reviewed by Gillian Torckler

Published by HarperCollins
ISBN  9781869509347


This review was first published on the booksellers.co.nz blog

This engaging story is about a couple of teenage boys coming to terms with all that life throws at modern teenagers – girls, homework, and uncooperative parents. I am reluctant to tell you that the main character Marty has a mild form of autism, because although it is central to the way the story is told and to the way Marty sees the world, the book is not about “dealing with autism”.

It is neither condescending nor seeking sympathy. Autism is in the background but only to just explain the unusual and charming way that Marty experiences his world. Marty’s best friend, Luke, is coping with his own issues – he’s lost a lower leg to meningitis – and both get involved with a school based business young enterprise scheme (YES) in part to be close to the girls they are both besotted with. As in real life, Marty has to deal with a number of issues and personal challenges along the way. As their YES project progresses, life’s challenges threaten to overpower their lives. The constant in Marty’s life is his recently deceased grandfather – a rock whose influence was far reaching in the boy’s life and whose absence is sorely missed.

This is a story that almost any teenage readers could associate with.Each of the teenage characters, including the flawed but irresistible female muses, is utterly believable. I had fallen in love with Marty by page 10, and really wanted his life issues to be resolved. More importantly I wanted to go on the journey with Marty and see where he ended up. Most teenagers will enjoy sharing Marty’s journey as well and will relate to much of this modern story themselves.

Published by HarperCollins
ISBN  9781869509255


This book was first reviewed on the booksellers.co.nz blog

Despite the widespread accolades he has received for his work, Linwood Barclay’s books were not on my radar at all.

Barclay writes pacey crime-thrillers, but unlike so many authors crafting works in this genre he does not rely on technology (such as the implausible extraction of nanoparticles of DNA and the like), nor does he rely upon a series unrealistic circumstances and fortunate coincidences.

Barclay uses traditional story-telling and relies on the reader’s nous to solve the crimes presented.The result is a thoroughly modern take of an old-fashioned detective story – a riveting storyline, with enough twists to keep you turning the pages, whilst satisfying the reader’s inner detective but saving the best and most surprising twist till the very end. Barclay’s narrative in engrossing; and his characters are utterly believable, even if 3 of them had met their ultimate demise by page 6. The next victim (the main character’s wife) succumbed 17 pages later…

The Accident by Linwood Barclay depicts the unraveling of the lives of six small-town couples: a breakdown which is simple and believable (it could happen to any of us) and culminates in the accidental death of the main character’s wife. It is his quest for answers to what seems an improbable accident that reveals the tangle of calamity that has its origins in the counterfeit business – fake designer handbags, fake prescription drugs and fake (non-complying) building products.

This undercover market had previously consumed little of my attention, and I certainly was unaware of the size of the counterfeit drug market, but now the implications of these highly illegal activities are resonating with me. So too, is the memory of truck nuts. In fact, I sincerely wish that Linwood Barclay had not enticed me to search the internet for these bizarre (and completely useless) vehicle adornments. Yes, they exist and I can see how their presence in the world would drive an author to devote a proportion of his carefully crafted words to denigrating these puppies to the place they belong. Google truck nuts, I dare you!

It is rare that a book both entertains me and resonates. But this book has done both.I shall look for more books by Linwood Barclay and from what I read on the internet, I shall not be disappointed.

Published by Orion
ISBN 9780752897462


This review was first published on the booksellers.co.nz blog